Please use this identifier to cite or link to this item: https://er.nau.edu.ua/handle/NAU/56464
Title: Circus art in modern realities: functions, problems, prospects
Authors: Romanenkova, Julia
Kuzmenko, Halyna
Bratus, Ivan
Sharykov, Denys
Keywords: Circus
sport
actor
circusophy
circus knowledge
Issue Date: 2021
Publisher: Editorial Cuadernos de Sofía
Citation: Romanenkova J., Kuzmenko H., Bratus I., Sharykov D. Circus art in modern realities: functions, problems, prospects/J. Romanenkova, H. Kuzmenko, I.Bratus, D. Sharykov // Revista Inclusions. - 2021. - V. 8. - P. 571-581
Abstract: The circus has always been one of the most controversial culture branches for terminologisation. Even today this is a field to deal with cliches, stereotypes, a platform for discussions about this activity type independence and its role in modern society. Unfortunately, the circus sphere has to fight for the right to be recognized as an independent culture segment, as an art form, although the fact this type of entertainment has been one of the most popular in society since ancient times remains incontestable. The scientists began to define the circus status as a phenomenon in the cultural sphere "table of ranks" transferring this discussion to the scientific field. The Soviet circus school as the most powerful in the world and after Soviet Union collapse each of the former Soviet republics actually again created its own circus school on the post-Soviet territory, based on the Soviet circus traditions. Politics became the reason of the most powerful cultural branch appeared under the threat of death. And in today's realities the threat has become even more realistic. The Russian and Ukrainian circus appeared the most powerful after the USSR collapse, each of the school¬ was the famous Soviet circus legal successor.
URI: https://er.nau.edu.ua/handle/NAU/56464
ISSN: 0719-4706
Appears in Collections:Статті кафедри комп'ютерних технологій дизайну і графіки

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