МЕТАМОДЕРНІЗМ ЯК КОМПРОМІС МІЖ ВІЧНІСТЮ І ТИМЧАСОВІСТЮ

Abstract

У статті висвітлена тема ідеологічного підґрунтя для подальшого розвитку архітектури, як частини соціо-культурного процесу та відповідної ролі концепції метамодерну. Проаналізовано поняття метамодернізму та розглянуто деякі роботи архітектурного бюро Herzog & de Meuron (Швейцарія) з позиції даного напрямку.

The main subject of the article is ideological foundation for the further development of architecture, as the part of global socio-cultural process and the role of metamodern conception in it. It highlights the topic of the modern tendencies in society, their essence and also their possible influence on architectural process, it describes three main modern sociological tendencies that possibly can make a big impact on the international architectural process. The article sheds light on the alternative variants of cultural trends that could replace postmodernism and history of the search for a new direction that can describe the new changes in society and culture. It also covers the theme of the current state of culture, it’s problems and perspectives especially in architecture. Negative aspects of postmodernism were identified and examples of crisis in architecture of postmodernism were given. An analysis of the conception of metamodernism, its history of appearance and development, its advantages compared to modernism and postmodernism was carried out. The article presents an analysis of a few main works of the architectural bureau Herzog & de Meuron (Switzerland) from the position of this art style. Four architectural masterpieces of Herzog & de Meuron were examined through the prism of metamodernism oscillation in accordance with Robin van den Akker’s and Timotheus Vermeulen’s philosophy. The architecture of Elbe philarmony as the main and the most famous example of metamodern art was also considered. In this article were also given arguments of the viability of this cultural conception and his compromise in resolving the acute social and political tension in society. An analysis of the possibilities of metamodernism to become the dominant cultural phenomenon was also conducted.

В статье освещена тема идеологической основы для дальнейшего развития архитектуры как части социо-культурного процесса и соответствующей роли концепции метамодерна. Проанализировано понятие метамодернизма и рассмотрены некоторые работы архитектурного бюро Herzog & de Meuron (Швейцария) с позиции данного направления.