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|Title:||Living Corpse - modern interpretation|
|Authors:||Триколенко, Софія Тарасівна|
|Publisher:||National Aviation University|
|Series/Report no.:||;Ref.# : 1546|
|Abstract:||A feature of this formulation is the saturation of different, including completely antagonistic directorial and stage moves. All visual imagery involves the extraction steps of a predetermined time, and transfer it into a kind of timeless environment that is filled with iconic elements of bygone eras and the achievements of modern technology. The issue raised in work "The Living Corpse" was current to mid-twentieth century, in the modern world, issues of divorce are resolved much faster and with less psychological stress. Because of such a transfer time of action arises dissonance between "possible" and "forced" - because if divorce is in the minds of modern audience something quite reasonable and not so decried, whence there is a "forced" the measure of staging his own death?|
|Appears in Collections:||Публікації у наукових виданнях викладачів кафедри основ архітектури, дизайну та містобудування|
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